Having someone unknown call you and never being able to find them with this as the backdrop the film introduces more threads in the screenplay. The strange occurrences lead him to believe that there is a psychological problem, and he is advised to fix an appointment with a psychiatrist. It brings him to the brink of a nervous breakdown. From then on, Vinod hears strange noises, voices and rumbling in his house. Vinod goes crazy because he thinks he is tapped or blackmailed. And then there is this stranger who keeps calling him to his landline number. He has a landline to communicate with the outer world and like a puzzle rummaging in the streets for smoke breaks that doesn't look like one at first. The environment creates eerie shadows from which indefinable noises emerge all the more clearly in later part of the film. The room where he stays is a great setting and at the same time a reflection of his conflicts and unstable character. It is difficult for him to cope with the death of his best friend. Unfortunately, things are not going well in his life and there is a sense of guilt that prevails. Then we meet Vinod (Arjun Das) a cricket coach who lives in a flat. And then, we are introduced to Selvam (Vinoth Kishan), a blind librarian, a MEDIATOR helping people in the library whose roots hold a mysterious past. In addition to the quality of the content, there is a formal implementation that works on the story in the smallest detail right from the beginning till the credits roll. There are no questions left on closer observation when the final title begins.
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If one releases oneself from the expectation that there must be a 'thrill' behind the gripping opening where a patient pulls trigger on Dr Indran (Kumar Natarajan) and series of suicide follows. Darkness is a popular film element, and it comes across as striking.
In this way, reality, and fiction merge, they can no longer be differentiated. It does not register or decipher what is happening but follows imaginary stimuli. The film blurs the lines between reality & fiction to deliver a psychological shock & that will someday have the respect it truly deserves. Disguised as a "Supernatural" film but this is actually a revenge driven drama towards the end with frequent character shifts that are fast. A clever, riveting supernatural, part psychological drama that fits many genres into one film which pays off in the end. It is really appreciated that "Andhaghaaram" opts for psychological suspense, ignoring the special effects, jump scares that have become a fashion in recent times. Pictures.Reviewed by samxxxul 7 / 10 Artistically done, will feel like an experience that will stay with you.! Kanthan of Kalki praised Thambu's cinematography and called the film yet another winner from P. They are capable of better work and, if they had carefully attended to all the details, they would have perhaps made Aandavan Kattalai a very notable film". Shankar appear to have jointly worked hard and contributed their talent in turning Aandavan Kattalai into a good movie, but they have compromised a great deal to make it a money-spinner. Ramachandran wrote, "Screenplaywright Javar Seetharaman, cameraman Thambu and director K. The song "Aarumaname Aaru" is based on Bilaskhani Todi raga. Music was composed by Viswanathan–Ramamoorthy. Thayir Vadai Desikan as Chitti Babu's friend.Javar Seetharaman as the Principal (cameo appearance).Sivaji Ganesan as Professor Krishnan / Moorthy.Even though he tries to resist her, he succumbs to her beauty and love. But love strikes his heart in the form of a student, Radha. There is a feeling of admiration and great respect for him among his students. He swears by his profession that he shall serve his students to the best of his abilities and, to that end, will live as a bachelor. Professor Krishnan is a role model honest and austere, he is a staunch follower of Swami Vivekananda. ( November 2021) ( Learn how and when to remove this template message) You can provide one by editing this article. This article needs an improved plot summary.
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